Showing posts with label creative writing. Show all posts
Showing posts with label creative writing. Show all posts

Sunday, 3 February 2013

You Give Me Hope

Image

You give me hope 
for a brighter tomorrow,
an angel guiding me 
out of my sorrow.

My fears I want to break free
and my insecurities to let go,
but can my troubled past 
or a life of hurt I forgo?

I ask you this 
as you grow in my heart,
Always be there 
so we may never part. 

I have very little to offer you,
and even less to give,
Yet my soul I give unto you 
and my every day, for us both to live.

Let us embrace this, our new life 
and for what it has to give,
Through the depths of sorrow 
you have taught me again to live. 

© 2013, Ryan Price (02/02/2013)   
       ~ for B, on his birthday. 

contra omnia discrimina 

Wednesday, 30 January 2013

Close Your Eyes

Image

I can't be with you today
but if you close your eyes and think;
I'll be beside you in the kitchen
wearing your shirt - standing by the sink.

I'll be with you in the bedroom
waiting quietly on your bed;
Just close your eyes and think of me,
relive those memories in your head.

I'll stand by you in the bathroom,
an unlikely place to meet;
I'll smile at you so playfully
as I let you brush my teeth.

I'll be your light in the darkness,
shining steady through and through;
You only have to watch it glow
to know I think of you.

I'll be the music that you listen to,
I'll be there in every song:
I'll laugh with you and sing with you,
and comfort you when your day's gone wrong.

I'll be the wind that ruffles your hair,
I'll be that warm embrace;
I'll be the hand on your shoulder,
I'll be the tender touch on your face.

I'll be the clock gently ticking,
reminding you of the times;
We've shut the rest of the world outside
we're in our own world - yours and mine.

I'll be the moon as it dances
on the water cold and still;
For I have loved you always
and I know I always will.

Though you may not see me physically
as you live your life today;
Just close your eyes and think of me
I will not be far away.

Monday, 29 August 2011

Poem: Time to Stop and Stare

What is this life if full of care

We have no time to stand and stare?

No time to stand beneath the boughs

And stare as long as sheep, or cows.

No time to see, when woods we pass,

Where squirrels hide their nuts in grass.

No time to see, in broad daylight,

Streams full of stars, like skies at night.

No time to turn at Beauty's glance,

And watch her feet, how they can dance.

No time to wait till her mouth can

Enrich that smile her eyes began.

A poor life this, if full of care,

We have no time to stand and stare.


© William Henry Davies 1871 - 1940


~ Contra Omnia Discrimina

Posted via email from uselessdesires

Thursday, 4 August 2011

Charles Hamilton Sorley: The Song of the Ungirt Runners

P1210

We swing ungirded hips,
And lightened are our eyes,
The rain is on our lips,
We do not run for prize.
We know not whom we trust,
Nor whitherward we fare,
But we run because we must,
Through the great wide air.

The waters of the seas,
Are troubled as by storm.
The tempest strips the trees,
And does not leave them warm.
Does the tearing tempest pause?
Do the tree-tops ask it why?
So we run without a cause,
'Neath the big bare sky.

The rain is on our lips,
We do not run for prize.
But the storm the water whips,
And the wave howls to the skies.
The winds arise and strike it,
And scatter it like sand,
And we run because we like it,
Through the broad bright land.

© Charles Hamilton Sorley

contra omnia discrimina, amor vincit omnia

Posted via email from uselessdesires

Friday, 25 March 2011

Guest Author, Zan Anselmo, on What Love Really Is

Zan Anselmo, a friend, writer, artist and fellow CFS advocate wrote the following short observation on what love really is. I found it profound, accurate, personal, insightful and incredibly honest. It actually brought a tear to my eye through it's insightfulness. She kindly agreed to sharing it here:

I KNOW WHAT LOVE IS
- Zan Anselmo 

I woke up and realized the script I was writing is a fake. I lost myself in delusional dreams, but now, I'm finally awake. Because what I thought was love, was never really love. I thought the ache in my heart was an indicator that this is real. I thought misery is what love makes you feel. But I woke up, and realized I didn't know what love is. I thought love was something bad, and I wished it was something I never had. But I woke up, and finally figured out what love is. And love was never about me, or searching for someone to set me free. Love is about waking up from your own dream, and seeing people as they truly are. It's about loving them unconditionally from your heart. And love isn't about hating someone that doesn't serve your needs, and love isn't about what you can do for me. I woke up and finally figured out what love is. And everywhere I turn, people are writing their own unique scripts and stories, full of pain, jealously, envy, remorse and sorrow….and they sit there wishing, praying they'll find love tomorrow. But I know, love does not suffer and love does not hate. Love is patient, and love will wait. And I woke up, and finally figured out what love is. No one seems to see it, no one seems to feel it, because they keep searching outside. And when these external forces wound them, they quickly run and hide. But I woke up today, and finally knew what love was, and I knew it was love, because I watched the pain dissipate from my soul.

contra omnia discrimina

Posted via email from uselessdesires

Monday, 28 February 2011

Dance!

Dance is one of the most powerful forms of magical ritual... It is an outer expression of the inner spirit.
Ted Andrews

Everything in the universe has rhythm. Everything dances.
Maya Angelou

Life is not about getting through the storms, but about dancing in the rain.
Bunny Armstrong

There is a need to find and sing our own song, to stretch our limbs and shake them in a dance so wild that nothing can roost there, that stirs the yearning for solitary wings.
Barbara Lazear Ascher

Dancing is the body made poetic.
Ernst Bacon

Nobody cares if you can’t dance well. Just get up and dance.
Dave Barry

Dancing can reveal all the mystery that music conceals.
Chas Baudelaire

There are short-cuts to happiness, and dancing is one of them.
Vicki Baum

To every thing there is a season, and a time to every purpose under the heaven; A time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted; A time to weep, and a time to laugh; a time to mourn, and a time to dance.
Ecclesiastes 3:1,2,4

Marriage is not a ritual or an end. It is a long, intricate, intimate dance together and nothing matters more than your own sense of balance and your choice of partner.
Amy Bloom

My kids refuse to eat anything that hasn’t danced on TV.
Erma Bombeck

The earth sets some music going in us and dance we must.
Ludwig Boone

While I dance I cannot judge, I cannot hate, I cannot separate myself from life. I can only be joyful and whole. That is why I dance.
Hans Bos

In dance, in composition, in sculpture, the experience is the same: we are more the conduit than the creator of what we express.
Julia Cameron

Dance on the edge of mystery.
Alan Cohen

Instead of seeing the rug being pulled from under us, we can learn to dance on the shifting carpet.
Thomas Crum

The truest expression of a people is in its dance and music.
Agnes de Mile

The journey between what you once were and who you are now becoming is where the dance of life really takes place.
Barbara DeAngelis

Don’t say, Yes! Just take my hand and dance with me.
Oriah Mountain Dreamer

Take me to the places on the earth that teach you how to dance, the places where you can risk letting the world break your heart, and I will take you to the places where the earth beneath my feet and the stars overhead make my heart whole again and again.
Oriah Mountain Dreamer

When you dance, your purpose is not to get to a certain place on the floor. It’s to enjoy each step along the way.
Wayne Dyer

I said to my soul, be still, and wait...So the darkness shall be the light, and the stillness the dancing.
T.S. Eliot

The stillness shall be the dancing and the darkness the light.
T.S. Eliot

Allow yourself to trust joy and embrace it. You will find you dance with everything.
Ralph Waldo Emerson

Get up and dance, get up and smile, get up and drink to the days that are gone in the shortest while.
Simon Fowler

You can't be afraid of stepping on toes if you want to go dancing.
Lewis Freedman

We dance around in a ring and suppose, but the Secret sits in the middle and knows.
Robert Frost

And when the earth shall claim your limbs, then shall you truly dance.
Kahlil Gibran

Dance is the hidden language of the soul.
Martha Graham

Great dancers are not great because of their technique, they are great because of their passion.
Martha Graham

The body says what words cannot.
Martha Graham

Life's not about waiting for the storm to pass. It's about learning to dance in the rain!
Vivian Greene

Work like you don't need the money, love like your heart has never broken, and dance like no one is watching.
Aurora Greenway

Everything is affected by and is part of everything else, changing constantly from one state to another. The rain becomes the river; the river surrenders to the sea and the cycle begins over again. Nothing is ever lost. The melody changes – the dance goes on.
Connie Harrison

Play with life, laugh with life, dance lightly with life, and smile at the riddles of life, knowing that life's only true lessons are writ small in the margin.
Jonathan Lochwood Huie

Most people live dejectedly in worldly joys or sorrows. They sit on the sidelines and do not join the dance.
Søren Kierkegaard

You can’t lie when you dance. It’s so direct. You do what is in you. It is impossible to dance out of the side of your mouth.
Shirley MacLaine

When it rains it pours. Maybe the art of life is to convert tough times to great experiences; we can choose to hate the rain or dance in it.
Joan Marques

Dance has always been a way of accessing the other worlds, especially whirling or spinning.
Caitlin Matthews

Joy is peace dancing and peace is joy at rest.
F. B. Meyer

Those who danced were thought to be quite insane by those who could not hear the music.
Angela Monet

Put a little fun into your life. Try dancing.
Kathryn Murray

Dance is life. Stillness is love. Together, they are everything.
Debbie Nargi-Brown

And we should consider every day lost on which we have not danced at least once. And we should call every truth false which was not accompanied by at least one laugh.
Friedrich Nietzsche

Dancing in all its forms cannot be excluded from the curriculum of all noble education; dancing with the feet, with ideas, with words, and, need I add that one must also be able to dance with the pen?
Friedrich Nietzsche

He who would learn to fly one day must first learn to stand and walk and run and climb and dance.
Friedrich Nietzsche

I do not know what the spirit of a philosopher could more wish to be than a good dancer. For the dance is his ideal, also his fine art, finally also the only kind of piety he knows, his ‘divine service’.
Friedrich Nietzsche

One must still have chaos in him to dance with a shooting star.
Friedrich Nietzsche

The soul never ages. My soul dances without my feet. I am the music.
Alev Oguz

Work like you don’t need the money, love like you’ve never been hurt, and dance like no one is watching.
Satchel Paige

He who cannot dance claims the floor is uneven.
Hindu saying

To watch us dance is to hear our hearts speak.
Hopi saying

We’re fools whether we dance or not, so we might as well dance.
Japanese proverb

If you can walk you can dance. If you can talk you can sing.
Zimbabwe Proverb

See stars in the changing season and dance among them, shining.
Mary Anne Radmacher

Part of the joy of dancing is conversation. Trouble is, some men can’t talk and dance at the same time.
Ginger Rogers

Love is the passionate dance between two hearts. It is to believe in the dream, and together make it real.
Sylvana Rossetti

Rhythm is our universal mother tongue. It’s the language of the soul.
Gabrielle Roth

Dance where you can break yourself up to pieces and totally abandon your worldly passions.
Rumi

To dance is to live!
Charles M. Schulz

When I feel the joy of receiving a gift my heart nudges me to join creation's ballet, the airy dance of giving and receiving, and getting and giving again.
Lewis Smedes

Dance as though no one is watching. Love as though you've never been hurt. Sing as though no one can hear you. Live as though heaven is on earth.
John Philip Souza

Next time you’re mad, try dancing out your anger.
Sweetpea Tyler

Life is not about waiting for the storms to pass. It's about learning how to dance in the rain.
Author Unknown

Let us read and let us dance – two amusements that will never do any harm to the world.
Voltaire

Peculiar travel suggestions are dancing lessons from God.
Kurt Vonnegut

The only way to make sense out of change is to plunge into it, move with it, and join the dance.
Alan Watts

Movement is a medicine for creating change in a person’s physical, emotional, and mental states.
Carol Welch

Every day brings a chance for you to draw in a breath, kick off your shoes, and dance.
Oprah Winfrey

Posted via email from uselessdesires

Wednesday, 16 February 2011

Poetry: Forever Valentine #1

With a heart so purely fine,
And so sweet a love - divine,
I dared to dream - you’ll be mine,
Only - forever - valentine.

So, I offer you the sweetest wine,
Nothing but the finest fruit of the vine,
Keenly rejecting all others as brine,
For you - forever- valentine.

Scared, I dreamed of life sublime, And now at last - the dream is mine,
Catch my heart each moment in time,
In love - forever - my valentine. Cling to me my love - and entwine,
Feast with me, my sweet - and dine,
Always together - the grand design,
Our love - forever - eternal valentine.

Copyright © Ryan Price, 2011
All rights reserved.

Posted via email from uselessdesires

Tuesday, 18 January 2011

She is Gone - A Poem

You can shed tears that she is gone,
or you can smile because she has lived.

You can close your eyes and pray that she’ll come back,
or you can open your eyes and see all she’s left.

Your heart can be empty because you can’t see her,
or you can be full of the love you shared.

You can turn your back on tomorrow and live yesterday,
or you can be happy for tomorrow because of yesterday.

You can remember her and only that she’s gone,
or you can cherish her memory and let it live on.

You can cry and close your mind,
be empty and turn your back,
or you can do what she’d want:
smile, open your eyes, love and go on.

David Harkins, © 1981
Silloth, Cumbria, UK

•••

Included by the Queen on the order of service for the Queen Mother's funeral on Tuesday 9th April 2002, the poem 'She Is Gone' was credited to 'Anon'. Her Majesty was said to have encountered the work at the funeral of the late" Dowager Viscountess De L'Isle, whose family had found the poem in a small anthology published in 1999.

After the Queen Mother's funeral much effort went into attempts to identify the author, with attributions going to, among others Immanuel Kant and Joyce Grenfell, before the author was discovered to be former baker David Harkins from Cumbria. David Harkins had written the piece in the early eighties, though not as a funeral oration, but in homage to an unrequited love.

David Harkins wrote to The Daily Mail on Tuesday January 14th 2003 as follows:- 'I was 23 when I first met Anne LLoyd, my inspiration for the poem I called Remember Me.
She was 16 and didn't know me, but had seen her about and knocked on her door one evening in November 1981. Anne answered, and I introduced myself as a painter (painting was a hobby of mine back then) and asked her to pose.
She agreed, and I returned on the Thursday evening, when I made feeble attempts to sketch Anne. This proved difficult as her mother was present throughout.
Anne posed for me about eight times, and we met regularly for a couple of years and talked a great deal, though we never even kissed, which is probably why I poured all my feelings about her into my poetry.
I completed Remember Me in about March 1982, but until last year none of my poems received any recognition. Pam, a one act play from 1987, was my last piece of work inspired by Anne.
Shortly afterwards I met Jayne, my wife, and I have not seen Anne since. My writing has dried up and I'm now a painter selling my works on the internet.'
David Harkins, Silloth, Cumbria.

Further Foot Note:

News & Star 12/09/2002 I wrote the Queen Mum's funeral poem By Chris Musson THE mystery author of a poem which was read out at the Queen Mother's funeral can now be revealed as a Cumbrian man who wrote it more than 20 years earlier when he was a young bakery worker. The poem was recited at the royal funeral earlier this year and sparked a glut of media interest because of its simple, upbeat nature - and mystery author. The Queen had found the poem while leafing through old memorial service books and she chose it to be read at her mother's funeral at Westminster Abbey in April, where it struck a chord with millions of mourners. Today the News & Star can reveal that Silloth man David Harkins wrote the poem in 1981 while working at Robertson's bakery in Durranhill, Carlisle. Mr Harkins, 43, has since received a letter of thanks from the Prince of Wales. The discovery finally ends a nationwide media hunt for the poem's author. Mr Harkins, who now works as an artist selling paintings over the Internet, said he "couldn't believe his eyes" when he saw his poetry published in newspapers after the funeral. Shocked He had sent the original manuscript of the poem to Prince Charles, and St James's Palace replied thanking Mr Harkins for explaining its origin. He said: "I wrote it in 1981. It was about a girl and I called it Remember Me. Since then, it's been changed to suit different people and also altered slightly for funerals. "I was shocked. I only found out about it at the time of the Queen Mother's funeral and I couldn't believe it. My wife Jayne and I were reading the newspapers and there it was. "She said to me something like 'that's your poem!'. There were changes but they were just words - a word here and a word there. "So I sent the original copy to Prince Charles in May and got a lovely letter of reply." The reply from Prince Charles' then private secretary, Stephen Lamport, thanks Mr Harkins for providing the history of the "passage which captured the hearts of so many people when it was published as part of Queen Elizabeth's funeral service". At the time the poem was written, he was working at Robertson's bakery, while living in Scalegate Road, Upperby. Mr Harkins said: "I laugh about it because death is not what it's about. It wasn't written for a funeral. I wrote it about a girl I lusted after but she couldn't stand the sight of me. "It was nothing to do with anyone dying but at the same time, I am humbled by the fact that anyone should use it at a funeral, especially for the Queen Mother. "It was straight from the heart and when I think about it, I'm both proud and not proud. I have sent it to people and they always try to put it into poetry but it isn't. It was just poetic prose." It is thought Remember Me - one of many pieces Mr Harkins has sent to publishers and newspapers over the years - found its way onto the Internet and into memorial booklets like the one spotted by the Queen. After the funeral, the poem was subjected to the scrutiny of the national media, with some critics ridiculing its apparent lack of literary merit. The reply from the Prince of Wales's office continued: "I have no doubt that it will be reproduced on many occasions over the years to come. The Prince of Wales has asked me to send you his very best wishes." Chris Musson Reporter, The Cumberland News / News & Star

An interesting link if you need more information on 'She is Gone' and the author http://www.bbc.co.uk/dna/ww2/A2174735

Posted via email from uselessdesires

Monday, 17 January 2011

I Care - A Poem by Ryan Price, for CA

If I could
If Only for a moment,
Take your pain and make it mine,
I would.

If I could
Carry your heavy load,
Ease the sorrow you have,
I would.

If I could
Give you a reason for this,
Tell you why this is happening,
I would.

I would do anything to remove your hurt,
But sometimes the rocky road of life,
Twists and turns, goes uphill and down,
And the whole world seems cold and heartless.

If I could
Shelter you from all of this,
Wrap you up and comfort you,
I would.

If nothing else,
Remember this;
I’m here,
If you want to talk,
If you need to cry,
If you can find comfort from sharing silence with me,
I’m here,
I care.

© 1998 - 2010 Ryan Price

Posted via email from uselessdesires

Saturday, 15 January 2011

A Poem About Mice by W R Espy

A mouse of my acquaintance in seven days was fed

Twice twenty thousand swordfish, and now that mouse is dead.

The mercury in swordfish is an enemy to dread.

He ate twice twenty thousand, and that mouse is dead.

His sister gnawed through pizzas (I’m told one million four).

There’s talk of botulism, and that sister is no more.

Their brother downed ten thousand turkeys lined with pesticide.

It took a week to kill him, but that poor mouse died.

So stay away from hormones, and from salmonella too,

Be impolite to cyclamates, and DDT eschew,

For additives and chemicals can kill you just like that,

Though (confidentially) those mice were done in by the cat.

Courtesy of:
http://weirdsid.tumblr.com/post/2758745039/a-poem-about-mice-by-w-r-espy

contra omnia discrimina

Posted via email from uselessdesires

Wednesday, 12 January 2011

The Velveteen Rabbit Or How Toys Become Real, by Margery Williams

THE
Velveteen Rabbit
OR
HOW TOYS BECOME REAL
by Margery Williams
Illustrations by William Nicholson

To Francesco Bianco
from
The Velveteen Rabbit

HERE was once a velveteen rabbit, and in the beginning he was really splendid. He was fat and bunchy, as a rabbit should be; his coat was spotted brown and white, he had real thread whiskers, and his ears were lined with pink sateen. On Christmas morning, when he sat wedged in the top of the Boy's stocking, with a sprig of holly between his paws, the effect was charming.

There were other things in the stocking, nuts and oranges and a toy engine, and chocolate almonds and a clockwork mouse, but the Rabbit was quite the best of all. For at least two hours the Boy loved him, and then Aunts and Uncles came to dinner, and there was a great rustling of tissue paper and unwrapping of parcels, and in the excitement of looking at all the new presents the Velveteen Rabbit was forgotten.

For a long time he lived in the toy cupboard or on the nursery floor, and no one thought very much about him. He was naturally shy, and being only made of velveteen, some of the more expensive toys quite snubbed him. The mechanical toys were very superior, and looked down upon every one else; they were full of modern ideas, and pretended they were real. The model boat, who had lived through two seasons and lost most of his paint, caught the tone from them and never missed an opportunity of referring to his rigging in technical terms. The Rabbit could not claim to be a model of anything, for he didn't know that real rabbits existed; he thought they were all stuffed with sawdust like himself, and he understood that sawdust was quite out-of-date and should never be mentioned in modern circles. Even Timothy, the jointed wooden lion, who was made by the disabled soldiers, and should have had broader views, put on airs and pretended he was connected with Government. Between them all the poor little Rabbit was made to feel himself very insignificant and commonplace, and the only person who was kind to him at all was the Skin Horse.

The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it.

"What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?"

"Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real."

"Does it hurt?" asked the Rabbit.

"Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt."

"Does it happen all at once, like being wound up," he asked, "or bit by bit?"

"It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."

"I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive. But the Skin Horse only smiled.

"The Boy's Uncle made me Real," he said. "That was a great many years ago; but once you are Real you can't become unreal again. It lasts for always."

The Rabbit sighed. He thought it would be a long time before this magic called Real happened to him. He longed to become Real, to know what it felt like; and yet the idea of growing shabby and losing his eyes and whiskers was rather sad. He wished that he could become it without these uncomfortable things happening to him.

There was a person called Nana who ruled the nursery. Sometimes she took no notice of the playthings lying about, and sometimes, for no reason whatever, she went swooping about like a great wind and hustled them away in cupboards. She called this "tidying up," and the playthings all hated it, especially the tin ones. The Rabbit didn't mind it so much, for wherever he was thrown he came down soft.

One evening, when the Boy was going to bed, he couldn't find the china dog that always slept with him. Nana was in a hurry, and it was too much trouble to hunt for china dogs at bedtime, so she simply looked about her, and seeing that the toy cupboard door stood open, she made a swoop.

"Here," she said, "take your old Bunny! He'll do to sleep with you!" And she dragged the Rabbit out by one ear, and put him into the Boy's arms.

That night, and for many nights after, the Velveteen Rabbit slept in the Boy's bed. At first he found it rather uncomfortable, for the Boy hugged him very tight, and sometimes he rolled over on him, and sometimes he pushed him so far under the pillow that the Rabbit could scarcely breathe. And he missed, too, those long moonlight hours in the nursery, when all the house was silent, and his talks with the Skin Horse. But very soon he grew to like it, for the Boy used to talk to him, and made nice tunnels for him under the bedclothes that he said were like the burrows the real rabbits lived in. And they had splendid games together, in whispers, when Nana had gone away to her supper and left the night-light burning on the mantelpiece. And when the Boy dropped off to sleep, the Rabbit would snuggle down close under his little warm chin and dream, with the Boy's hands clasped close round him all night long.

And so time went on, and the little Rabbit was very happy–so happy that he never noticed how his beautiful velveteen fur was getting shabbier and shabbier, and his tail becoming unsewn, and all the pink rubbed off his nose where the Boy had kissed him.

Spring came, and they had long days in the garden, for wherever the Boy went the Rabbit went too. He had rides in the wheelbarrow, and picnics on the grass, and lovely fairy huts built for him under the raspberry canes behind the flower border. And once, when the Boy was called away suddenly to go out to tea, the Rabbit was left out on the lawn until long after dusk, and Nana had to come and look for him with the candle because the Boy couldn't go to sleep unless he was there. He was wet through with the dew and quite earthy from diving into the burrows the Boy had made for him in the flower bed, and Nana grumbled as she rubbed him off with a corner of her apron.

"You must have your old Bunny!" she said. "Fancy all that fuss for a toy!"

The Boy sat up in bed and stretched out his hands.

"Give me my Bunny!" he said. "You mustn't say that. He isn't a toy. He's REAL!"

When the little Rabbit heard that he was happy, for he knew that what the Skin Horse had said was true at last. The nursery magic had happened to him, and he was a toy no longer. He was Real. The Boy himself had said it.

That night he was almost too happy to sleep, and so much love stirred in his little sawdust heart that it almost burst. And into his boot-button eyes, that had long ago lost their polish, there came a look of wisdom and beauty, so that even Nana noticed it next morning when she picked him up, and said, "I declare if that old Bunny hasn't got quite a knowing expression!"

That was a wonderful Summer!

Near the house where they lived there was a wood, and in the long June evenings the Boy liked to go there after tea to play. He took the Velveteen Rabbit with him, and before he wandered off to pick flowers, or play at brigands among the trees, he always made the Rabbit a little nest somewhere among the bracken, where he would be quite cosy, for he was a kind-hearted little boy and he liked Bunny to be comfortable. One evening, while the Rabbit was lying there alone, watching the ants that ran to and fro between his velvet paws in the grass, he saw two strange beings creep out of the tall bracken near him.

They were rabbits like himself, but quite furry and brand-new. They must have been very well made, for their seams didn't show at all, and they changed shape in a queer way when they moved; one minute they were long and thin and the next minute fat and bunchy, instead of always staying the same like he did. Their feet padded softly on the ground, and they crept quite close to him, twitching their noses, while the Rabbit stared hard to see which side the clockwork stuck out, for he knew that people who jump generally have something to wind them up. But he couldn't see it. They were evidently a new kind of rabbit altogether.

They stared at him, and the little Rabbit stared back. And all the time their noses twitched.

"Why don't you get up and play with us?" one of them asked.

"I don't feel like it," said the Rabbit, for he didn't want to explain that he had no clockwork.

"Ho!" said the furry rabbit. "It's as easy as anything," And he gave a big hop sideways and stood on his hind legs.

"I don't believe you can!" he said.

"I can!" said the little Rabbit. "I can jump higher than anything!" He meant when the Boy threw him, but of course he didn't want to say so.

"Can you hop on your hind legs?" asked the furry rabbit.

That was a dreadful question, for the Velveteen Rabbit had no hind legs at all! The back of him was made all in one piece, like a pincushion. He sat still in the bracken, and hoped that the other rabbits wouldn't notice.

"I don't want to!" he said again.

But the wild rabbits have very sharp eyes. And this one stretched out his neck and looked.

"He hasn't got any hind legs!" he called out. "Fancy a rabbit without any hind legs!" And he began to laugh.

"I have!" cried the little Rabbit. "I have got hind legs! I am sitting on them!"

"Then stretch them out and show me, like this!" said the wild rabbit. And he began to whirl round and dance, till the little Rabbit got quite dizzy.

"I don't like dancing," he said. "I'd rather sit still!"

But all the while he was longing to dance, for a funny new tickly feeling ran through him, and he felt he would give anything in the world to be able to jump about like these rabbits did.

The strange rabbit stopped dancing, and came quite close. He came so close this time that his long whiskers brushed the Velveteen Rabbit's ear, and then he wrinkled his nose suddenly and flattened his ears and jumped backwards.

"He doesn't smell right!" he exclaimed. "He isn't a rabbit at all! He isn't real!"

"I am Real!" said the little Rabbit. "I am Real! The Boy said so!" And he nearly began to cry.

Just then there was a sound of footsteps, and the Boy ran past near them, and with a stamp of feet and a flash of white tails the two strange rabbits disappeared.

"Come back and play with me!" called the little Rabbit. "Oh, do come back! I know I am Real!"

But there was no answer, only the little ants ran to and fro, and the bracken swayed gently where the two strangers had passed. The Velveteen Rabbit was all alone.

"Oh, dear!" he thought. "Why did they run away like that? Why couldn't they stop and talk to me?"

For a long time he lay very still, watching the bracken, and hoping that they would come back. But they never returned, and presently the sun sank lower and the little white moths fluttered out, and the Boy came and carried him home.

Weeks passed, and the little Rabbit grew very old and shabby, but the Boy loved him just as much. He loved him so hard that he loved all his whiskers off, and the pink lining to his ears turned grey, and his brown spots faded. He even began to lose his shape, and he scarcely looked like a rabbit any more, except to the Boy. To him he was always beautiful, and that was all that the little Rabbit cared about. He didn't mind how he looked to other people, because the nursery magic had made him Real, and when you are Real shabbiness doesn't matter.

And then, one day, the Boy was ill.

His face grew very flushed, and he talked in his sleep, and his little body was so hot that it burned the Rabbit when he held him close. Strange people came and went in the nursery, and a light burned all night and through it all the little Velveteen Rabbit lay there, hidden from sight under the bedclothes, and he never stirred, for he was afraid that if they found him some one might take him away, and he knew that the Boy needed him.

It was a long weary time, for the Boy was too ill to play, and the little Rabbit found it rather dull with nothing to do all day long. But he snuggled down patiently, and looked forward to the time when the Boy should be well again, and they would go out in the garden amongst the flowers and the butterflies and play splendid games in the raspberry thicket like they used to. All sorts of delightful things he planned, and while the Boy lay half asleep he crept up close to the pillow and whispered them in his ear. And presently the fever turned, and the Boy got better. He was able to sit up in bed and look at picture-books, while the little Rabbit cuddled close at his side. And one day, they let him get up and dress.

It was a bright, sunny morning, and the windows stood wide open. They had carried the Boy out on to the balcony, wrapped in a shawl, and the little Rabbit lay tangled up among the bedclothes, thinking.

The Boy was going to the seaside to-morrow. Everything was arranged, and now it only remained to carry out the doctor's orders. They talked about it all, while the little Rabbit lay under the bedclothes, with just his head peeping out, and listened. The room was to be disinfected, and all the books and toys that the Boy had played with in bed must be burnt.

"Hurrah!" thought the little Rabbit. "To-morrow we shall go to the seaside!" For the boy had often talked of the seaside, and he wanted very much to see the big waves coming in, and the tiny crabs, and the sand castles.

Just then Nana caught sight of him.

"How about his old Bunny?" she asked.

"That?" said the doctor. "Why, it's a mass of scarlet fever germs!–Burn it at once. What? Nonsense! Get him a new one. He mustn't have that any more!"

And so the little Rabbit was put into a sack with the old picture-books and a lot of rubbish, and carried out to the end of the garden behind the fowl-house. That was a fine place to make a bonfire, only the gardener was too busy just then to attend to it. He had the potatoes to dig and the green peas to gather, but next morning he promised to come quite early and burn the whole lot.

That night the Boy slept in a different bedroom, and he had a new bunny to sleep with him. It was a splendid bunny, all white plush with real glass eyes, but the Boy was too excited to care very much about it. For to-morrow he was going to the seaside, and that in itself was such a wonderful thing that he could think of nothing else.

And while the Boy was asleep, dreaming of the seaside, the little Rabbit lay among the old picture-books in the corner behind the fowl-house, and he felt very lonely. The sack had been left untied, and so by wriggling a bit he was able to get his head through the opening and look out. He was shivering a little, for he had always been used to sleeping in a proper bed, and by this time his coat had worn so thin and threadbare from hugging that it was no longer any protection to him. Near by he could see the thicket of raspberry canes, growing tall and close like a tropical jungle, in whose shadow he had played with the Boy on bygone mornings. He thought of those long sunlit hours in the garden–how happy they were–and a great sadness came over him. He seemed to see them all pass before him, each more beautiful than the other, the fairy huts in the flower-bed, the quiet evenings in the wood when he lay in the bracken and the little ants ran over his paws; the wonderful day when he first knew that he was Real. He thought of the Skin Horse, so wise and gentle, and all that he had told him. Of what use was it to be loved and lose one's beauty and become Real if it all ended like this? And a tear, a real tear, trickled down his little shabby velvet nose and fell to the ground.

And then a strange thing happened. For where the tear had fallen a flower grew out of the ground, a mysterious flower, not at all like any that grew in the garden. It had slender green leaves the colour of emeralds, and in the centre of the leaves a blossom like a golden cup. It was so beautiful that the little Rabbit forgot to cry, and just lay there watching it. And presently the blossom opened, and out of it there stepped a fairy.

She was quite the loveliest fairy in the whole world. Her dress was of pearl and dew-drops, and there were flowers round her neck and in her hair, and her face was like the most perfect flower of all. And she came close to the little Rabbit and gathered him up in her arms and kissed him on his velveteen nose that was all damp from crying.

"Little Rabbit," she said, "don't you know who I am?"

The Rabbit looked up at her, and it seemed to him that he had seen her face before, but he couldn't think where.

"I am the nursery magic Fairy," she said. "I take care of all the playthings that the children have loved. When they are old and worn out and the children don't need them any more, then I come and take them away with me and turn them into Real."

"Wasn't I Real before?" asked the little Rabbit.

"You were Real to the Boy," the Fairy said, "because he loved you. Now you shall be Real to every one."

And she held the little Rabbit close in her arms and flew with him into the wood.

It was light now, for the moon had risen. All the forest was beautiful, and the fronds of the bracken shone like frosted silver. In the open glade between the tree-trunks the wild rabbits danced with their shadows on the velvet grass, but when they saw the Fairy they all stopped dancing and stood round in a ring to stare at her.

"I've brought you a new playfellow," the Fairy said. "You must be very kind to him and teach him all he needs to know in Rabbit-land, for he is going to live with you for ever and ever!"

And she kissed the little Rabbit again and put him down on the grass.

"Run and play, little Rabbit!" she said.

But the little Rabbit sat quite still for a moment and never moved. For when he saw all the wild rabbits dancing around him he suddenly remembered about his hind legs, and he didn't want them to see that he was made all in one piece. He did not know that when the Fairy kissed him that last time she had changed him altogether. And he might have sat there a long time, too shy to move, if just then something hadn't tickled his nose, and before he thought what he was doing he lifted his hind toe to scratch it.

And he found that he actually had hind legs! Instead of dingy velveteen he had brown fur, soft and shiny, his ears twitched by themselves, and his whiskers were so long that they brushed the grass. He gave one leap and the joy of using those hind legs was so great that he went springing about the turf on them, jumping sideways and whirling round as the others did, and he grew so excited that when at last he did stop to look for the Fairy she had gone.

He was a Real Rabbit at last, at home with the other rabbits.

Autumn passed and Winter, and in the Spring, when the days grew warm and sunny, the Boy went out to play in the wood behind the house. And while he was playing, two rabbits crept out from the bracken and peeped at him. One of them was brown all over, but the other had strange markings under his fur, as though long ago he had been spotted, and the spots still showed through. And about his little soft nose and his round black eyes there was something familiar, so that the Boy thought to himself:

"Why, he looks just like my old Bunny that was lost when I had scarlet fever!"

But he never knew that it really was his own Bunny, come back to look at the child who had first helped him to be Real.

* * *

Posted via email from uselessdesires

The Velveteen Rabbit Or How Toys Become Real, by Margery Williams

THE
Velveteen Rabbit
OR
HOW TOYS BECOME REAL
by Margery Williams
Illustrations by William Nicholson

To Francesco Bianco
from
The Velveteen Rabbit

THERE was once a velveteen rabbit, and in the beginning he was really splendid. He was fat and bunchy, as a rabbit should be; his coat was spotted brown and white, he had real thread whiskers, and his ears were lined with pink sateen. On Christmas morning, when he sat wedged in the top of the Boy's stocking, with a sprig of holly between his paws, the effect was charming.

There were other things in the stocking, nuts and oranges and a toy engine, and chocolate almonds and a clockwork mouse, but the Rabbit was quite the best of all. For at least two hours the Boy loved him, and then Aunts and Uncles came to dinner, and there was a great rustling of tissue paper and unwrapping of parcels, and in the excitement of looking at all the new presents the Velveteen Rabbit was forgotten.


For a long time he lived in the toy cupboard or on the nursery floor, and no one thought very much about him. He was naturally shy, and being only made of velveteen, some of the more expensive toys quite snubbed him. The mechanical toys were very superior, and looked down upon every one else; they were full of modern ideas, and pretended they were real. The model boat, who had lived through two seasons and lost most of his paint, caught the tone from them and never missed an opportunity of referring to his rigging in technical terms. The Rabbit could not claim to be a model of anything, for he didn't know that real rabbits existed; he thought they were all stuffed with sawdust like himself, and he understood that sawdust was quite out-of-date and should never be mentioned in modern circles. Even Timothy, the jointed wooden lion, who was made by the disabled soldiers, and should have had broader views, put on airs and pretended he was connected with Government. Between them all the poor little Rabbit was made to feel himself very insignificant and commonplace, and the only person who was kind to him at all was the Skin Horse.

The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it.

"What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?"

"Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real."

"Does it hurt?" asked the Rabbit.

"Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt."

"Does it happen all at once, like being wound up," he asked, "or bit by bit?"

"It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."

"I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive. But the Skin Horse only smiled.

"The Boy's Uncle made me Real," he said. "That was a great many years ago; but once you are Real you can't become unreal again. It lasts for always."

The Rabbit sighed. He thought it would be a long time before this magic called Real happened to him. He longed to become Real, to know what it felt like; and yet the idea of growing shabby and losing his eyes and whiskers was rather sad. He wished that he could become it without these uncomfortable things happening to him.

There was a person called Nana who ruled the nursery. Sometimes she took no notice of the playthings lying about, and sometimes, for no reason whatever, she went swooping about like a great wind and hustled them away in cupboards. She called this "tidying up," and the playthings all hated it, especially the tin ones. The Rabbit didn't mind it so much, for wherever he was thrown he came down soft.

One evening, when the Boy was going to bed, he couldn't find the china dog that always slept with him. Nana was in a hurry, and it was too much trouble to hunt for china dogs at bedtime, so she simply looked about her, and seeing that the toy cupboard door stood open, she made a swoop.

"Here," she said, "take your old Bunny! He'll do to sleep with you!" And she dragged the Rabbit out by one ear, and put him into the Boy's arms.

That night, and for many nights after, the Velveteen Rabbit slept in the Boy's bed. At first he found it rather uncomfortable, for the Boy hugged him very tight, and sometimes he rolled over on him, and sometimes he pushed him so far under the pillow that the Rabbit could scarcely breathe. And he missed, too, those long moonlight hours in the nursery, when all the house was silent, and his talks with the Skin Horse. But very soon he grew to like it, for the Boy used to talk to him, and made nice tunnels for him under the bedclothes that he said were like the burrows the real rabbits lived in. And they had splendid games together, in whispers, when Nana had gone away to her supper and left the night-light burning on the mantelpiece. And when the Boy dropped off to sleep, the Rabbit would snuggle down close under his little warm chin and dream, with the Boy's hands clasped close round him all night long.

And so time went on, and the little Rabbit was very happy–so happy that he never noticed how his beautiful velveteen fur was getting shabbier and shabbier, and his tail becoming unsewn, and all the pink rubbed off his nose where the Boy had kissed him.

Spring came, and they had long days in the garden, for wherever the Boy went the Rabbit went too. He had rides in the wheelbarrow, and picnics on the grass, and lovely fairy huts built for him under the raspberry canes behind the flower border. And once, when the Boy was called away suddenly to go out to tea, the Rabbit was left out on the lawn until long after dusk, and Nana had to come and look for him with the candle because the Boy couldn't go to sleep unless he was there. He was wet through with the dew and quite earthy from diving into the burrows the Boy had made for him in the flower bed, and Nana grumbled as she rubbed him off with a corner of her apron.

"You must have your old Bunny!" she said. "Fancy all that fuss for a toy!"

The Boy sat up in bed and stretched out his hands.

"Give me my Bunny!" he said. "You mustn't say that. He isn't a toy. He's REAL!"

When the little Rabbit heard that he was happy, for he knew that what the Skin Horse had said was true at last. The nursery magic had happened to him, and he was a toy no longer. He was Real. The Boy himself had said it.

That night he was almost too happy to sleep, and so much love stirred in his little sawdust heart that it almost burst. And into his boot-button eyes, that had long ago lost their polish, there came a look of wisdom and beauty, so that even Nana noticed it next morning when she picked him up, and said, "I declare if that old Bunny hasn't got quite a knowing expression!"

That was a wonderful Summer!

Near the house where they lived there was a wood, and in the long June evenings the Boy liked to go there after tea to play. He took the Velveteen Rabbit with him, and before he wandered off to pick flowers, or play at brigands among the trees, he always made the Rabbit a little nest somewhere among the bracken, where he would be quite cosy, for he was a kind-hearted little boy and he liked Bunny to be comfortable. One evening, while the Rabbit was lying there alone, watching the ants that ran to and fro between his velvet paws in the grass, he saw two strange beings creep out of the tall bracken near him.

They were rabbits like himself, but quite furry and brand-new. They must have been very well made, for their seams didn't show at all, and they changed shape in a queer way when they moved; one minute they were long and thin and the next minute fat and bunchy, instead of always staying the same like he did. Their feet padded softly on the ground, and they crept quite close to him, twitching their noses, while the Rabbit stared hard to see which side the clockwork stuck out, for he knew that people who jump generally have something to wind them up. But he couldn't see it. They were evidently a new kind of rabbit altogether.

They stared at him, and the little Rabbit stared back. And all the time their noses twitched.

"Why don't you get up and play with us?" one of them asked.

"I don't feel like it," said the Rabbit, for he didn't want to explain that he had no clockwork.

"Ho!" said the furry rabbit. "It's as easy as anything," And he gave a big hop sideways and stood on his hind legs.

"I don't believe you can!" he said.

"I can!" said the little Rabbit. "I can jump higher than anything!" He meant when the Boy threw him, but of course he didn't want to say so.

"Can you hop on your hind legs?" asked the furry rabbit.

That was a dreadful question, for the Velveteen Rabbit had no hind legs at all! The back of him was made all in one piece, like a pincushion. He sat still in the bracken, and hoped that the other rabbits wouldn't notice.

"I don't want to!" he said again.

But the wild rabbits have very sharp eyes. And this one stretched out his neck and looked.

"He hasn't got any hind legs!" he called out. "Fancy a rabbit without any hind legs!" And he began to laugh.

"I have!" cried the little Rabbit. "I have got hind legs! I am sitting on them!"

"Then stretch them out and show me, like this!" said the wild rabbit. And he began to whirl round and dance, till the little Rabbit got quite dizzy.

"I don't like dancing," he said. "I'd rather sit still!"

But all the while he was longing to dance, for a funny new tickly feeling ran through him, and he felt he would give anything in the world to be able to jump about like these rabbits did.

The strange rabbit stopped dancing, and came quite close. He came so close this time that his long whiskers brushed the Velveteen Rabbit's ear, and then he wrinkled his nose suddenly and flattened his ears and jumped backwards.

"He doesn't smell right!" he exclaimed. "He isn't a rabbit at all! He isn't real!"

"I am Real!" said the little Rabbit. "I am Real! The Boy said so!" And he nearly began to cry.

Just then there was a sound of footsteps, and the Boy ran past near them, and with a stamp of feet and a flash of white tails the two strange rabbits disappeared.

"Come back and play with me!" called the little Rabbit. "Oh, do come back! I know I am Real!"

But there was no answer, only the little ants ran to and fro, and the bracken swayed gently where the two strangers had passed. The Velveteen Rabbit was all alone.

"Oh, dear!" he thought. "Why did they run away like that? Why couldn't they stop and talk to me?"

For a long time he lay very still, watching the bracken, and hoping that they would come back. But they never returned, and presently the sun sank lower and the little white moths fluttered out, and the Boy came and carried him home.

Weeks passed, and the little Rabbit grew very old and shabby, but the Boy loved him just as much. He loved him so hard that he loved all his whiskers off, and the pink lining to his ears turned grey, and his brown spots faded. He even began to lose his shape, and he scarcely looked like a rabbit any more, except to the Boy. To him he was always beautiful, and that was all that the little Rabbit cared about. He didn't mind how he looked to other people, because the nursery magic had made him Real, and when you are Real shabbiness doesn't matter.

And then, one day, the Boy was ill.

His face grew very flushed, and he talked in his sleep, and his little body was so hot that it burned the Rabbit when he held him close. Strange people came and went in the nursery, and a light burned all night and through it all the little Velveteen Rabbit lay there, hidden from sight under the bedclothes, and he never stirred, for he was afraid that if they found him some one might take him away, and he knew that the Boy needed him.

It was a long weary time, for the Boy was too ill to play, and the little Rabbit found it rather dull with nothing to do all day long. But he snuggled down patiently, and looked forward to the time when the Boy should be well again, and they would go out in the garden amongst the flowers and the butterflies and play splendid games in the raspberry thicket like they used to. All sorts of delightful things he planned, and while the Boy lay half asleep he crept up close to the pillow and whispered them in his ear. And presently the fever turned, and the Boy got better. He was able to sit up in bed and look at picture-books, while the little Rabbit cuddled close at his side. And one day, they let him get up and dress.

It was a bright, sunny morning, and the windows stood wide open. They had carried the Boy out on to the balcony, wrapped in a shawl, and the little Rabbit lay tangled up among the bedclothes, thinking.

The Boy was going to the seaside to-morrow. Everything was arranged, and now it only remained to carry out the doctor's orders. They talked about it all, while the little Rabbit lay under the bedclothes, with just his head peeping out, and listened. The room was to be disinfected, and all the books and toys that the Boy had played with in bed must be burnt.

"Hurrah!" thought the little Rabbit. "To-morrow we shall go to the seaside!" For the boy had often talked of the seaside, and he wanted very much to see the big waves coming in, and the tiny crabs, and the sand castles.

Just then Nana caught sight of him.

"How about his old Bunny?" she asked.

"That?" said the doctor. "Why, it's a mass of scarlet fever germs!–Burn it at once. What? Nonsense! Get him a new one. He mustn't have that any more!"

And so the little Rabbit was put into a sack with the old picture-books and a lot of rubbish, and carried out to the end of the garden behind the fowl-house. That was a fine place to make a bonfire, only the gardener was too busy just then to attend to it. He had the potatoes to dig and the green peas to gather, but next morning he promised to come quite early and burn the whole lot.

That night the Boy slept in a different bedroom, and he had a new bunny to sleep with him. It was a splendid bunny, all white plush with real glass eyes, but the Boy was too excited to care very much about it. For to-morrow he was going to the seaside, and that in itself was such a wonderful thing that he could think of nothing else.

And while the Boy was asleep, dreaming of the seaside, the little Rabbit lay among the old picture-books in the corner behind the fowl-house, and he felt very lonely. The sack had been left untied, and so by wriggling a bit he was able to get his head through the opening and look out. He was shivering a little, for he had always been used to sleeping in a proper bed, and by this time his coat had worn so thin and threadbare from hugging that it was no longer any protection to him. Near by he could see the thicket of raspberry canes, growing tall and close like a tropical jungle, in whose shadow he had played with the Boy on bygone mornings. He thought of those long sunlit hours in the garden–how happy they were–and a great sadness came over him. He seemed to see them all pass before him, each more beautiful than the other, the fairy huts in the flower-bed, the quiet evenings in the wood when he lay in the bracken and the little ants ran over his paws; the wonderful day when he first knew that he was Real. He thought of the Skin Horse, so wise and gentle, and all that he had told him. Of what use was it to be loved and lose one's beauty and become Real if it all ended like this? And a tear, a real tear, trickled down his little shabby velvet nose and fell to the ground.

And then a strange thing happened. For where the tear had fallen a flower grew out of the ground, a mysterious flower, not at all like any that grew in the garden. It had slender green leaves the colour of emeralds, and in the centre of the leaves a blossom like a golden cup. It was so beautiful that the little Rabbit forgot to cry, and just lay there watching it. And presently the blossom opened, and out of it there stepped a fairy.

She was quite the loveliest fairy in the whole world. Her dress was of pearl and dew-drops, and there were flowers round her neck and in her hair, and her face was like the most perfect flower of all. And she came close to the little Rabbit and gathered him up in her arms and kissed him on his velveteen nose that was all damp from crying.

"Little Rabbit," she said, "don't you know who I am?"

The Rabbit looked up at her, and it seemed to him that he had seen her face before, but he couldn't think where.

"I am the nursery magic Fairy," she said. "I take care of all the playthings that the children have loved. When they are old and worn out and the children don't need them any more, then I come and take them away with me and turn them into Real."

"Wasn't I Real before?" asked the little Rabbit.

"You were Real to the Boy," the Fairy said, "because he loved you. Now you shall be Real to every one."

And she held the little Rabbit close in her arms and flew with him into the wood.

It was light now, for the moon had risen. All the forest was beautiful, and the fronds of the bracken shone like frosted silver. In the open glade between the tree-trunks the wild rabbits danced with their shadows on the velvet grass, but when they saw the Fairy they all stopped dancing and stood round in a ring to stare at her.

"I've brought you a new playfellow," the Fairy said. "You must be very kind to him and teach him all he needs to know in Rabbit-land, for he is going to live with you for ever and ever!"

And she kissed the little Rabbit again and put him down on the grass.

"Run and play, little Rabbit!" she said.

But the little Rabbit sat quite still for a moment and never moved. For when he saw all the wild rabbits dancing around him he suddenly remembered about his hind legs, and he didn't want them to see that he was made all in one piece. He did not know that when the Fairy kissed him that last time she had changed him altogether. And he might have sat there a long time, too shy to move, if just then something hadn't tickled his nose, and before he thought what he was doing he lifted his hind toe to scratch it.

And he found that he actually had hind legs! Instead of dingy velveteen he had brown fur, soft and shiny, his ears twitched by themselves, and his whiskers were so long that they brushed the grass. He gave one leap and the joy of using those hind legs was so great that he went springing about the turf on them, jumping sideways and whirling round as the others did, and he grew so excited that when at last he did stop to look for the Fairy she had gone.

He was a Real Rabbit at last, at home with the other rabbits.

Autumn passed and Winter, and in the Spring, when the days grew warm and sunny, the Boy went out to play in the wood behind the house. And while he was playing, two rabbits crept out from the bracken and peeped at him. One of them was brown all over, but the other had strange markings under his fur, as though long ago he had been spotted, and the spots still showed through. And about his little soft nose and his round black eyes there was something familiar, so that the Boy thought to himself:

"Why, he looks just like my old Bunny that was lost when I had scarlet fever!"

But he never knew that it really was his own Bunny, come back to look at the child who had first helped him to be Real.

* * *

This book has been put on-line as part of the BUILD-A-BOOK Initiative at the 
Celebration of Women Writers.

Posted via email from uselessdesires

Thursday, 6 January 2011

Music Video & Lyrics: Tom Baxter - My Declaration



Gonna be someone, 

gonna give something,
I'm taking it on, 
I'm taking it on, 
It's gonna be my life, 
so I'm gonna live each day and each night, 
Taking it on, I'm taking it on. 

'Cause I can't keep hiding, 
I can't keep hiding, 
I can't keep running away, 
So I'm gonna be stronger, 
I'm gonna be better made, 
I'm gonna give everything, 
Just to bring me back again. 

I'm gonna be a braver soul than this, 
I'm gonna jump at all those many chances that I've missed, 
I'm gonna live my life beyond these fears,
and forms of cowardice that keep leading me on. 
I'm gonna shine out like a beacon in the night, 
I'm gonna wrap my fingers round the stars tonight, 
'Cause I'm taking it on, 'cause I'm taking it on... 

I can't keep hiding, 
I can't keep hiding, 
I can't keep running away,
So I'm gonna be stronger, 
I'm gonna be better made, 
I'm gonna give everything, 
Just to bring me back again. 

So I'm gonna be stronger, 
I'm gonna be understood,
and I'm gonna give everything,
Just to bring me back again

So I'm gonna be stronger,
and I'm gonna be better made, 
I'm gonna give everything, 
Just to bring me back again.
'Cause I can't keep hiding, 
I can't keep hiding, 
I can't keep running away.

contra omnia discrimina

Posted via email from uselessdesires